The Influence and the Role of the Jewish Community in...

The Influence and the Role of the Jewish Community in Ancient and Contemporary Turkey Antiquity A Jewish community has existed in the land that is modern day Turkey for many centuries. In fact, many important figures of the Old Testament lived in Turkey during at least part of their lives. Abraham was born in Ur of Chaldea, according to the Old Testament, which is believed to be the Turkish city Sanhurfa (located close to the Euphrates River) (G 3). It is also believed that Abraham lived in Harran in the 18th century BC. Jacob sought refuge in Turkey when he was escaping from his brother Esau and his well is still found there today. Noah and his family ran aground on Mount Ararat (Agri Dag), which is located in eastern†¦show more content†¦The Greeks encouraged the Jews to migrate from Palestine. Estimates exist that would number the Jews living in Asia Minor during the second century CE at one million (Burke 3). Jewish Communities under the Ottoman Empire The Ottomans and the Jews have a historically been seen as living in harmony and welcoming of each other. The Ottomans captured Bursa in 1324 relieving the Jewish community there from centuries of Byzantine rule in which they had been persecuted (Jewish Communities 1). The Ottomans became known for welcoming persecuted Jews from Christendom. Sultan Orhan even gave the Jews permission to build the Etz-ha-Hayyim synagogue. In 1492, Queen Isabella and King Ferdinand placed an edict on all Jews either forcing them to convert or die. Approximately 150,00 of these Sephardim Jews escaped (Burke 2). Other groups of Jews from Europe migrated to Europe in the face of persecution. In 1477, there were 1,647 Jewish households in Istanbul. By 1527, there were 8,070 Jewish houses in Istanbul (Guleryuz 3). These massive immigrations were brought about by a generous and willing Ottoman sultanate. The Jews received land, tax exemptions, and other assistance from the Ottoman government. The Sultan at the time, Sultan Beyazid II, recognized the value of having an increasingly educated labor force. He has been quoted as saying that, The Catholic monarch Ferdinand was wrongly considered as wise since he impoverished his country with theShow MoreRelatedAn Article On The Middle East2928 Words   |  12 PagesNowadays whether you are reading an article on a news paper or you are watching the news on television you will notice that there is a common topic always covered: issues in the Middle East. This region has an ancient and fascinating history that dates back to archaic times. It has generally been considered a major centre of international trade and cultural development. 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Show how you respond to Austen’s presentation of balls and other social events in Emma Free Essays

‘It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively without being at any ball of any description, and no material injury accrue either to body or mind: – but when a beginning is made – when the felicities of rapid motion have once been, though slightly felt – it must be a very heavy set that does not ask for more.’ Using the quotation as a starting point show how you respond to Austen’s presentation of balls and other social events in Emma. We will write a custom essay sample on Show how you respond to Austen’s presentation of balls and other social events in Emma or any similar topic only for you Order Now The above quotation put in simple terms connotes socializing to not be essential for survival yet once experienced, addictions can be produced. This is implied within Jane Austen’s Emma as hinted by social events presentation and their significance. Suggestions of such views display human development by the mistakes made within society to encourage moral growth and wisdom. The central focus upon balls and social pursuits indicates the triviality of the upper classes. Austen’s satirical tone throughout the novel exemplifies the hierarchy of the eighteenth nineteenth century, while ridiculing their concerns. The author has illustrated a further emphasis by concentrating particularly on Emma’s development and need for social awareness as progressed through the various social affairs. The Weston’s Christmas party acts as an introductory occasion for the readers to establish a hierarchy, as well as Emma’s importance within the Highbury society. The Woodhouses are treated to be at the centre of attention as illustrated by the great fuss created for â€Å"poor Mr. Woodhouse† due to the falling of snow. By making such characters much pleased with them, they begin to believe they are and feel much more superior. This permits Emma in her match making schemes of ultimately feeling a strong love interest among Mr. Elton and Harriet Smith. Emma’s confidence is quilted by the safety of her fathers smothering and her lack of awareness. This meddling leads to devastating consequences, which may be seen through the contrasting behaviour contained in private and public atmospheres. A faà ¯Ã‚ ¿Ã‚ ½ade of etiquette is created publicly to portray perfectionism of characters friendly decorum. Mr. Weston kindly criticizes Emma while she politely â€Å"listened† and â€Å"coolly† replies. Emma needs to preserve her good manners in a situation like this as not cause any damage to her status. Conversely, when Emma and Mr. Elton are alone in the carriage, returning home, the change in conduct insights readers to the true colours of the character concerned. Previously, Mr. Elton seemed â€Å"so anxious for† Emma, demonstrating agitating behaviour, explaining the true exposition of Mr. Elton’s â€Å"pretence of being in love with her†. His obnoxious behaviour screened to Emma and the readers reflects his snobbery, as he believes â€Å"everybody has their level†, as well as degrading his respect. The significance of this event adds to the background of future events and creates a build up. Emma looks forward to a night of being admired at the Coles dinner party but clear differing levels of accomplishment with the â€Å"superior† Jane Fairfax prevent this, as well as distinguishing a sense of competition between the two characters. One major accomplishment, the art of piano playing, may be regarded as a form of battle ground among Emma and Jane. Jane’s advancement clearly initiates much threat for Emma as her attentions are overtaken. Nevertheless due to social expectations of the formal times, Emma is required to be friendly towards poorer, low class woman such as Miss Fairfax. This allows others to publicly view Emma’s character to be of a good image. The use of falseness and pretences supports the idea of conformist public behaviour through superficial mannerisms of always â€Å"smiling†. Ironically, the narrative reveals much deeper thoughts of Emma privately whilst creating comedy though the anticipation of her reactions which â€Å"sh e never could attempt to conceal.† However her opinion of Jane is not openly expressed but slyly gossiped with Frank who joins in, yet continuously is â€Å"glancing towards Miss Fairfax.† The divisions of social classing prevent Frank from freely associating himself with Jane who he is secretly engaged with. This becomes evident alongside the social gatherings, suggesting secrets codes of honour to carry out, by enforcing heavy use of faà ¯Ã‚ ¿Ã‚ ½ades in friendships among Emma, Frank and Jane. False pretences are deepened within the society of Highbury as immediately reflected through Emma holding a dinner party for Mrs. Elton, a woman she can not stand. During this gathering much commotion is taken up by party guests, predominantly by Mr. Knightely, about Jane’s â€Å"venture.† Austen can be seen to be ridiculing society as characters take much interest upon a minority issue of visiting the post office. Jane shows a â€Å"little blush† of running â€Å"such risks† while reserving her manners regardless to the invasion of her privacy. Consequently the time period within the novel compels Jane’s consistence and Mr. Knightley’s courtesy to be purely based upon concern for her health. Adoptions of significance still withstands similar to the previous events, and allow development of future plots such as the suspicion formed upon Miss. Fairfax’s behaviour. The great Crown Inn Ball had been postponed several times creating much enthusiasm and excitement for the people of Highbury. This is an indication of the emptiness of their lives. Being the first formal social gathering due to Mrs. Elton’s arrival, social codes would advocate her to have central focus. This angers Emma as â€Å"her taste was not the only taste which† was to be depended upon. Nevertheless Emma masks her true judgement by appearing to appeal to all those around her. Dancing was seen as a metaphor of courtship as Emma encounters this â€Å"flirtation between her and her partner† Frank, others may view them as having a more intimate relationship. Mr. Knightley breaks this code as he â€Å"takes pity on† Harriet to dance, after being embarrassed by Mr. Elton. It is suggestive to surrounding party members of a love connection between Harriet and Mr. Knightley. This is highly contradictory as it was not expectant of someone with Knightley’s class and status to degrade down to Miss Smith’s level. On the contrary, readers are at an advantage of having an insight upon the text as they know Mr. Knightley’s behaviour is due to his chivalrous good natured attitude which compels him to be considerate of everyone around him. This comedic approach stimulates Austen to simultaneously mock and uphold social codes. The interaction between Knightley and Harriet reveals that broken social codes lead to chaos and confusion, as dis played further in the text by Emma’s confusion and â€Å"terror† over Harriet having feelings for Mr. Knightley. The faà ¯Ã‚ ¿Ã‚ ½ade of etiquette breaks down vigorously at Box hill, partially as Emma now expresses her thoughts while forgetting her manners. The scene has been set in a very elegant atmosphere â€Å"in favour of a pleasant party† with a â€Å"burst of admiration.† All characters engage in a game for amusement and Emma faces a sudden outbreak which she â€Å"could not resist† towards Miss Bates. The oversight of her politeness and â€Å"mock ceremony of her manners† prevent immediate meaning being obtained. Only until Knightley’s â€Å"remonstrance† does Emma realise the impact of her appalling behaviour being in the need of amendment. The idea of Emma acting in such a way in public creates a barrier for her not to be able to undo her actions, whereas if she spoke in private to say Harriet she could have easily justifyed herself. Whether Emma’ change was based upon her becoming more self aware or the fact she upset Mr Knightley is open to personal judgement. It could be portrayed that the series of progressively emotional social events lead Emma to realise much more about herself and those around her. By learning from her mistakes she was able to mature and become more purely and truly accepted as a superior of society. Controversially, Emma begins to realise she has feelings for â€Å"my [meaning Emma’s] Mr. Knightley† and therefore cannot go about upsetting him as this tarnishes his vision of her. Her change therefore would be due to selfish terms. In regard of all this, Emma does change herself and correct her faults. The destruction of polite faà ¯Ã‚ ¿Ã‚ ½ade works as an incentive to compel Emma in re-evaluating her misconduct and to reform. The consecutive chapter illustrates Emma’s embracement of self realisation, after the eventful picnic, as Mr. Knightley’s disapproval deeply hurts her. Her â€Å"confidence [had] told her so† that she â€Å"had often been remiss.† After the Box Hill incident, Emma did not want others to consider her â€Å"without a heart† and â€Å"so unfeeling towards [her] father.† Emma’s â€Å"completely misspent† morning obliged her to recollect herself and no longer interfere. By directly paying a visit to Miss. Bates, she begins the journey of self correction. This is further illustrated as Emma talks about Jane with genuine feeling and interest in spite of Jane’s abrupt and extra reserved behaviour. Emma learns, with the help of Mr. Knightley’s finger pointing, that she needs to concentrate on her own thoughts and actions rather than those around her. The limited use of action throughout the novel constructs social occasions to be at the focal point of the plot. Consistently, this reflects the artificialities of Austen’s world which she wanted the reader to pick up upon. By exposing society’s hypocrisy, due to the show of gestures, the satire acts a comedic tool for readers. Even though Emma’s faults are chiefly stressed upon; the story reveals faults in other characterisations such as Mrs. Elton, Frank and Mr. Woodhouse. I feel the idea of concentrating heavily on, what would be considered by the modern reader, small concerns; Austen specifies the consequences of falling out of traditional practice. The juxtaposition of such problematic proceedings, ending with a minute ounce of happiness for Emma, makes the novel unique and intensifies the effect. Nevertheless the moral message overrides such views to allow the reader to learn from the mistakes of characters and the importance of maintaining a balance. This allows progression of readers to improve themselves and become more self-aware also. Finally, the use of misconception and confusion adds to the ironic use of satire to amuse spectators. How to cite Show how you respond to Austen’s presentation of balls and other social events in Emma, Papers

Language Change free essay sample

Theorists such as David Crystal have taken an open-minded approach to such change, explaining that â€Å"there is no predictable direction for the changes that are taking place. They are just that: changes. Not changes for the better; nor changes for the worse; just changes, sometimes going one way, sometimes another. † This statement articulates the prescriptivist view that language is an organic part of life which evolves and grows to suit the needs of its contextual time, just as living organisms do. Texts I and J show a distinct journey of change in the English lexicon between 1878 and 1965, ranging from graphological features through to the individual lexical choices and even the ways in which the audience of each of the texts is addressed. In exploring these texts, conclusions will be drawn as to the extent of the change that language has undergone, and what the causes, and indeed the impacts of these changes may have been. One of the most notable differences between these texts is their graphological presentation. Text I is composed in an expressly simple way, using a serif typeface which was likely to have been produced on a printing press, given that the text itself appears to have jagged edges, implying that ink had been applied to a block or stamp in order to produce the text something uncommon to contemporary means of printing. It is also interesting to note the complete lack of images, and the justified alignment of the text throughout. The text is not split up at all, other than into paragraphs and here is no use of italics or bold text at any point in the text. Text J, conversely, uses a graphologically complex structure, with an image to text ratio of around 1:1. Three blocks of text are accompanied by three images of men and women together, two of which display a dance scene and the last of which displays the onset of intimacy the desired goal of the text which was written as an instructional piece, seemingly aimed at the female gender. The images supplied are directly photograph, rather than illustrations, representing the development of technology and the availability of photography cameras and digital arrangement of photographs and text to create such a publication. Text J also makes use of italicisation in order to emphasise the lexical items â€Å"those† and â€Å"your. † The use of the lexical item â€Å"those† here is a deictic expression, implying a shared pragmatic and contextual knowledge between the producer and the reader of the text. This is echoed throughout the text, where an informal and friendly tone is adopted throughout. This is confirmed by the consistent application of elision, forming contractions of lexis such as â€Å"do not† to become â€Å"don’t†, showing the adoption of a primarily informal register. The method of address can be considered in terms of Norman Fairclough’s theory of synthetic personalisation, where first person pronouns are used to directly address the reader and indicate a kind of relationship between the writer and reader, where some shared understanding and common-ground can be found. This personalised and informal approach to writing is another area of particular development from the older text. Text I, in stark contrast to text J, adopts a formal register throughout, using latinate lexis to imply an ascendant status to the reader. This is connected to gender theories, where men are often considered to be more direct, and to write with a stronger tone of authority. Some of the lexical choices made in this text show the lexical development of language specifically, as archaic latinate terms like â€Å"effrontery† are found throughout the text. This is indicative of the broadly formal approach to this text, in opposition to the relaxed, informal approach within text J. Text I appears to adhere to the rules of the oppositional table in regard to written and spoken discourse, where a predominantly objective approach is taken, other than a single reference with the pronoun â€Å"your† is made to the reader. Other than this instance, the text remains entirely objective, referring in the third person to entities for the purpose of explanation. Text J, on the other hand, uses the interpersonal approach which is more common to spoken discourse to address its audience. In terms of the oppositional table, a further consideration can be made as to which side these texts sit more appropriately. This observation is made specifically in regard to the grammatical complexity of the texts, for which text I is more advanced. The use of more advanced punctuation such as the regular application of the semi-colon is exclusive to text I, where the aim is to extend the length of sentences in many places. The semi-colon is accompanied by regular use of commas, where sentences often run to such lengths that they dominate entire paragraphs. This shows the direct intention of the producer to create an undoubtedly written piece of text which was designed to be a basis of authority on a subject of which the producer holds superior knowledge to the reader. When examining text J for the same reasons, the opposing side of the table can be identified, where a grammatically simple text uses exclamatory sentences to deliver impact, and keep a short and chatty tone to convey the points at hand. Text J also uses some unusual starters to sentences, even using conjunctions to begin not only sentences, but paragraphs too. The purpose of these texts display an underlying social and contextual development over the time between the production of each of the texts, where an audience shift from the male to the female appears to take place, showing growing levels of egalitarianism among genders. The growth of significance of the female gender in the establishment of relationships has caused the male tone to be muted somewhat, opting for a more gender-neutral tone, even in a text which was principally written for the female gender, given its contextual location of appearance. While a focus on politeness in the content of the texts remains the same, the way in which this message is conveyed has undergone vast and wide-ranging development. A growth in the status of women through social and political development has given the female gender a more equal position in the audience position of writing such as this. Further to the contextual factors, the means of production of text has also undergone vast development with the advent of digital technology, increasing the ease of production of such texts, and expanding on the flexibility of presentational and graphological features.